Timothy Webb delivers a fresh take on the classic Christmas hymn that wordlessly expresses the longing of creation for the coming of the King.

Sometimes the simplest treatment is the most moving. That certainly is the case here. Lura Foster begins with a very simple chord pattern with thirds harmonizing the melody, then moves into a fluid arpeggio pattern with sixths harmonizing. Certain to please your pianist as well as congregation.

Rod Jeffords serves as orchestra director and accompanist at his church, so it's no surprise that he's also a talented arranger. This hymn serves as a great opener or as an offertory...open chord structure that comes to a majestic finish.

A gentle triplet feel breathes new life in this older favorite.

A great way to start your Sunday morning and your service! The bright call and answer theme between piano and brass is designed to awaken all hearts and call them to the praise of Jesus.

Flute was the perfect choice for a solo on this tender and pensive pairing. Wonderful offertory for the traditional service.

While piano and brass arrangements are generally more emphatic, this one is a bit understated. The lyric beginning, revisited at the end, let's the single instruments shine through in bits of the melody solo before breaking into a more rhythm-based, chorded middle section.

From Dennis and Nan Allen, this special Easter reading through Christ's prayer at Gethsemane paired with a moving piano piece is an excellent incorporation into any Easter drama or service. Arranged for two readers and pianist, this piece could easily be adapted for more than 2 readers if needed.

An American Spiritual, David Huntsinger's arrangement of this great hymn uses elements that recall its rich musical heritage.