Timothy Webb delivers a fresh take on the classic Christmas hymn that wordlessly expresses the longing of creation for the coming of the King.

Sometimes the simplest treatment is the most moving. That certainly is the case here. Lura Foster begins with a very simple chord pattern with thirds harmonizing the melody, then moves into a fluid arpeggio pattern with sixths harmonizing. Certain to please your pianist as well as congregation.

A gentle triplet feel breathes new life in this older favorite.

From Dennis and Nan Allen, this special Easter reading through Christ's prayer at Gethsemane paired with a moving piano piece is an excellent incorporation into any Easter drama or service. Arranged for two readers and pianist, this piece could easily be adapted for more than 2 readers if needed.

An American Spiritual, David Huntsinger's arrangement of this great hymn uses elements that recall its rich musical heritage.

A bright presentation with a few Celtic and jazzy tones, making an oft used hymn fresh to the listeners AND pianist.

More than a simple piano solo, Silent Night is a optional monologue paired with Hal Wright's piano/flute arrangement of the traditional Christmas tune.

This well-known Handel theme alternates between decidedly Baroque passages (which are a little more difficult) with standard hymn chord passages. Keeps the minds of both congregation and instrumentalist delightfully engaged.

Classic Lura Foster but with a little more movement and flair. More appropriate for a special rather than offertory use.