Choral Anthems 4-part SATB
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At Your Feet (with Video Track)
One of the most popular songs in our catalog, this tranquil song of surrender is excellent for blended or contemporary services. For soloist and 4-part choir or ensemble, this flexible piece can be altered for worship leader only. [Lyric video accompaniment track available to Unlimited PLUS Members]
Halfway
Upbeat and inviting, this fun Southern Gospel piece calls us to worship God whole-heartedly! Arranged for 4-part choir or ensemble and worship leader/soloist, this energetic and earnest song would work well in blended and contemporary worship settings.
At Your Feet
One of the most popular songs in our entire catalog, this tranquil and tender song of surrender is easily adaptable to any blended or contemporary worship service. For worship leader (or soloist) and 4-part choir or ensemble, this flexible piece can be altered for leader only, if needed.
Jesus
A tender piece for a 4-part choir about our gentle and loving Lord that will easily find a home in multiple types of worship settings: from traditional to contemporary services.
Lord Of Light
With an attitude of awe and a tender feel, this SATB choral anthem for a traditional, blended, or contemporary worship setting encourages hearts to be in a posture of worship and reverence.
Come And Fill This Place
An unhurried and gentle 4-part piece that encourages your congregation and choir to enter into a posture of heartfelt worship. Serves well in blended and contemporary settings.
Purify My Heart
A prayer for the Lord to transform our hearts, this SATB choral anthem worshipfully reminds us that by the Lord we are made clean and whole. Serves well in traditional and blended worship settings.
Come, Lord
This beautiful and gentle piece evokes a sense of wonder and heartfelt worship. Come Lord works well with a small to large choir as well as a worship team. Also available in 2-part.
I Am Blessed
Lively and encouraging, this 4-part praise chorus rejoices in God's blessing and works well in a contemporary setting.